What’s Right About The Wrong Biennale? [The New York Times]
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Source: The New York Times
Bringing together 1,500 artists across the internet, the global digital art festival known as The Wrong is a democratic alternative to the often elitist system of fairs. Here’s a quick tour through its treasures. Image A still from the video Virtual Altar, by Pieter Jossa, included in the pavilion called Plasma. Credit Pieter Jossa By Chris Hampton Jan. 22, 2018 Counting its viewership in the millions, The Wrong just might be the world’s largest art biennale — the digital world’s answer to Venice. To visit, art lovers needn’t purchase a plane ticket, book a hotel or queue outside galleries: Admission requires only internet access. Now in its third edition, running through Jan. 31, The Wrong presents the work of some 1,500 creators who show across more than 100 online exhibition pavilions, with the field’s boldfaced names — such as Carla Gannis, a multimedia artist — alongside upstart talents like Pieter Jossa, a 3-D animator. The Wrong’s founder,
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