Best of 2022: Five artworks that wormed into my brain and stayed for months [Los Angeles Times (CA)]
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The thing about being an arts writer is: Days of mulling can turn into weeks or months. Or even a year. Not to say that this is a bad thing. But sometimes — call it an occupational hazard or free perk, depending — an individual art piece or body of work gets seeded in my brain, its image or soundscape or visceral feeling hovering in my consciousness and commanding attention at the most unexpected times. Like the video snippet of a desperate, shrieking woman embedded in the cement floor of MOCA's Geffen Contemporary — more on that later, but suffice to say her crooning, in Italian, rang in my head for weeks while I shopped for groceries or pumped gas. Here are five artworks that wormed their way into my head this year — and stayed there for inordinate lengths of time. “Blood, sweat and snot — and Dior Backstage Eyeshadow Palette in neutral tones.” That's how I described the work-in-progress that I saw in Kang's studio in April, pieces created as part of Horizon Art Foundation's
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