He’s the Producer. She’s the Talent. Who Owns the Hit Record? [The New York Times]
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Source: The New York Times
“You’re exploiting your own vulnerability to make the work,” he said recently. And since artists mine their own lives for material, working relationships are necessarily personal. “If that’s betrayed, it’s a shockingly intimate form of betrayal,” he said. “It’s like a marriage breaking down.” Matthew Warchus, the Old Vic’s artistic director, programmed “Mood Music” on that basis alone. “It’s a really volatile subject: the paradox of two people fighting violently and emotionally over something that should be beautiful and life-enhancing,” he explained. Mr. Penhall has a few close collaborations of his own — though none that have soured as starkly as those of his protagonists. This is, for instance, the fourth time he has worked with Roger Michell, who directed his breakthrough play, the psychiatric-hospital-set “Blue/Orange” in 2000. “There’s one collaborator who really gets you and you get them, and there’s something about that chemistry,” he said of Mr. Michell. “You have to
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