Review: ‘Period’ Favors Dance Subtlety Over Substance [The New York Times]
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Image Dancers like soft-edged machines: Maggie Zepp, left, and Laura Selle Virtucio in “Period,” by the Minnesota choreographer Chris Schlichting. Credit Andrea Mohin/The New York Times By Brian Seibert July 20, 2018 The Chocolate Factory Theater, in Long Island City, Queens, seldom schedules shows into the summer, for at least one good reason. The little place gets warm. Even on a mildly hot evening, you sweat just watching other people dance. Nevertheless, on Thursday, the theater (in partnership with Lumberyard Contemporary Performing Arts) offered “Period,” a new trio by the Minnesota choreographer Chris Schlichting. The conditions were less than ideal for appreciating a reticent work demanding close concentration. For “Period” is pure, a kind of contemporary dance equivalent of a ballet blanc, that genre in which white costumes signify a shift toward abstract form. The set design, by Caitlin Dippo and Katrina Matejcik, extends the whiteness of the
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