Critic’s Notebook: Indian Dance: Motion in Stillness, Stillness in Motion [The New York Times]
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Image In her Sattriya recital on Wednesday, Anwesa Mahanta played both women and men. Credit Andrea Mohin/The New York Times By Alastair Macaulay Aug. 21, 2018 Who expected that New York’s weeklong Drive East season of Indian dance and music would bring us George Harrison’s “My Sweet Lord” arranged as a Kuchipudi number, Shakespeare’s Cleopatra rendered as a Kathakali character, or Édith Piaf’s “La Vie en rose” accompanied by dancing in Bharatanatyam style? But so it was: Kuchipudi, Kathakali, Bharatanatyam — among the traditional dance-theater forms that Drive East represents — show themselves just as capable of absorbing Western influence as the West has been of absorbing others. Drive East, at La MaMa Experimental Theater’s basement space, has been an annual fixture on the New York calendar since 2013. (This year, it goes to San Francisco, too, Aug. 22-26 , with several of the same artists.) It has always represented a generous cross-section of the cla
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