Why Herbert Ross' much loved 1993 ‘La Bohème' has become a perennial at L.A. Opera [Los Angeles Times (CA)]
Warner Bros. Discovery, Inc. - Series A (WBD)
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Source: Los Angeles Times
sets, cinematic pizzazz and echt-romanticized filmic story telling by Hollywood director Herbert Ross — I wrote that the beloved production has earned its keep, but no production lasts forever. It lasted. There it was, three years later, back at the Dorothy Chandler Pavilion. Some Angelenos had other ideas. Gustavo Dudamel conducted a futurist new production of “La Bohème” in Paris that took place in outer space. Disruptive opera director Yuval Sharon, founder of The Industry, came up with the arresting idea of presenting “La Bohème” backwards, beginning with the death of Mimi in the fourth act and sending the audience home in the rapture of the Act 1 love duet between Mimi and Rodolfo. He spectacularly pulled that off at the Spoleto Festival in South Carolina and at Detroit Opera, where he is now artistic director. L.A. Opera was not, however, far behind. In 2019, the company imported Barrie Kosky's provocative and brilliantly staged rethinking of “Bohème” from the Komische Oper
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